Thursday, April 19, 2012
Craigslist
I love Craigslist.
I mean seriously, what other web site exists where you can simultaneously buy a new BMW, a dairy goat milking stand, a 20 inch Cymbal for $1, 90% clean dirt for FREE and a double jointed Indonesian tranny with a foot fetish?
So I recently got engaged and decided to move in with my fiance. When I looked around her place and asked where I should put all of my furniture she immediately replied "on Craigslist."
So yesterday I sold my kitchen table to two young hipster types. After they left with the table, I received a strange and slightly disturbing text from one of the youngsters.
Ummm.....say what??? Did this guy think he had looked me up in a different Craigslist section?
I didn't want to be rude so after immediately grabbing my things and running-the-hell-away-as-fast-as-I-could I sent back a polite response, only to then realize it was, well, a little misunderstanding.
Aaah, Craigslist. You are always surprising me. Maybe that's why I love you so much.
Friday, November 18, 2011
Unproduced Screenplay #6: "Approaching Storm" (2004)
But I'm back and let's get right back to another one of my (many) unproduced screenplays.
In the summer of 2003 I began working with a producer who specialized in making cheap direct to video sequels of major feature films. He would buy unused film footage from the original film and combine that with newly shot footage to make the film look more expensive then it would actually cost (ie over $5.)
I was hired to write his direct to video sequel to The Perfect Storm, the 2000 George Clooney film adapted from the non-fiction book by Sebastian Unger, about the crew of the Andrea Gail, a fishing boat that was lost in a 1981 storm on its way back to Gloucester, Massachusetts.
The "sequel" was basically an entirely new fictional story complete with new characters (having the same characters would likely require a-*spoiler alert*-zombie aspect) set in the crab fishing town of Cordova, Alaska.
This is a 1984 flashback scene from the opening of the script.
Next up, my Die Hard/Clear and Present Danger inspired script about a President who takes the White House hostage called Legacy.
Wednesday, August 10, 2011
Unproduced Screenplay #6: "The Powers" (2000)
Next up, APPROACHING STORM, a script I was once hired to write as a sequel to The Perfect Storm. (Yes, I'm talking about the George Clooney movie.)
Tuesday, June 14, 2011
Unproduced Screenplay #5: "Buffy the Vampire Slayer" (2000)
But the one show that will always stand at the top is Buffy the Vampire Slayer.
I started watching Buffy right after I graduated college in 1998 and never missed an episode until the show ended in May of 2003. The series included maybe the most realistic look at death ever put on television, season five's "The Body", one of the most original TV episodes ever produced, the almost dialogue-free Emmy nominated "Hush" from season four, James Marster's brilliant monologue from season seven, and, of course, my all time favorite episode of any television show-ever-period, the now classic musical episode from Season 6 "Once More With Feeling."
So of course I had to take my own stab (pun intended) at writing a Buffy screenplay.
Here is a scene from "That Campy Feeling," where the gang goes on a seemingly harmless camping trip and runs into some..well, trouble.
Next up, my second television script, an original pilot called The Powers.
Tuesday, February 15, 2011
Homeless Woman Heckler
Obviously it was awesome.
Thursday, February 3, 2011
Thursday, January 27, 2011
Thursday, January 20, 2011
Unproduced Screenplay #4: "The Most Gullible Man in America" (2000)
Tuesday, January 18, 2011
Unproduced Screenplay #3: "Loving Drew" (2000)
This scene takes place during a police raid of a devil worshiping ceremony where John, the detective, runs into Drew, the devil worshipper.
Click on each page to read.
Next up, another comedy: The Most Guillible Man in America
Tuesday, January 11, 2011
Unproduced Screenplay #2: "Lie of Youth" (1999)
Lie of Youth is the story of Daniel, a popular college senior who is expelled after his fraternity is involved in a hazing incident where a freshman accidentally dies. When he moves back home he finds himself falling for Emily, the high school sweetheart of the boy who died.
This scene takes place at a park playground between Daniel and Chris, his best friend from high school as Chris reminisces about the past.
Click on each page to read.


Next up, my first comedy: Loving Drew
Wednesday, January 5, 2011
Unproduced Screenplays
And unlike that Laura girl who promised a second date, I plan on following through. (On a side note, Laura if you are reading this, I'm assuming you must have lost your phone and didn't get my texts/phone calls/voicemails. Send me a private message and we can reschedule. )
In the last thirteen years I've written a lot of screenplays. Most of which haven't been produced. In fact, I could count the number of scripts I've written that have actually been produced on one hand (if I had lost a couple of fingers in a horrible wood chipper accident.)
So that leaves me with a lot of unproduced screenplays. Screenplays that I spent a lot of time and effort on that will never get made. Screenplays that nobody will ever read.
Until now.
Well, at least partly. Over the next few months I'm going to post one scene from each of these scripts, starting from the very first back in 1998, when I was just 22 years old.
Looking back on the last 13 years of screenwriting, I've learned a lot. Mostly that sometimes it takes 13 years of screenwriting to realize that some of what you thought was brilliant at the time was... well, not so much.
Kind of like Laura. (But still send me a private message and we can maybe grab a drink or some tapas or something.)
Even so, there is a part of every one of these stories that I admire and that I'm proud of. I couldn't have got to where I am now without them.
So thanks.
Unproduced Screenplay #1: "Kill The Mascot" (1998)
My first screenplay started in a screenwriting class during senior year at college. Adapted from a novella I wrote after graduating high school, and inspired by countless high school movies I grew up with from the eighties, KILL THE MASCOT tells the story of Kurt, an awkward high school senior loner who falls for the mysterious, unpopular and suicidal Jennifer.
This three page scene is from the final third of the script and takes place in French class between Kurt and Heather, an attractive and popular cheerleader.
Click on each page to read.


Tuesday, August 31, 2010
Live at The Jon Lovitz Comedy Club
Thanks to everyone who came out to support me. And of course all the wonderful girls I've dated.
Tuesday, August 3, 2010
Step Up

The best films of the eighties all shared one common bond. From Porky's to Fast Times at Ridgemont High, Revenge of the Nerds, Weird Science, Lost Boys and Teen Wolf to The Breakfast Club, Sixteen Candles, Pretty in Pink, Ferris Bueller's Day Off and Some Kind of Wonderful... All were movies that captured, at times brilliantly, what it meant to be young and filled with hope. The best films of the eighties reminded us of that innocent time in our lives where anything was possible.
In the nineties Hollywood attempted to resurrect the eighties teenage film with mixed results. The best films in that period, Clueless, Scream and American Pie were either tributes or parodies. But something was still missing. By the time She's All That premiered in 1999, it was safe to say the golden age of teenage movies was officially dead.
Flash forward to February of 2006 and the release of a little film called Step Up. The movie was set in Baltimore and told the story of the troublemaker teen Tyler Gage (Channing Tatum) who falls for the privileged dancer Nora Clark (Jena Dewan.) Exactly two years later, Step Up 2: The Streets came out, this time following a new dancer, Andie West (Briana Evigan), and her dream to be a street dancer. This coming Friday, Step Up 3D will be released and I couldn't be more excited.
Yes, these films can easily be dismissed as unsubstantive fluff filled with corny dialogue and cliched plot lines. But if you go back and look at how now classic eighties films were received when they were first released, many of the same things were said. In fact, many were true... just as they are now. But just like then, it simply doesn't matter.
Whether you like it or not, Step Up has a place in the cannon of modern cinema. And it's my opinion that there's a reason people like myself are drawn to these films. Besides the fantastic dance sequences and soundtracks, the hip hop dance drama is the last modern film genre to truly recall the hope and innocence of those eighties films we grew up with and loved.
It's the last vestige of a time where we didn't have to worry about terrorism, global warming and rent checks. A time where the most important thing in our lives was our dream... and the girl.
Tuesday, July 20, 2010
Rap Star
I'm talking about the dream where, just like so many Jewish white guys before me, I wanted to be a rap star.
So here is the unedited rap I wrote sometime last decade. My favorite line has to be the "Like a fresh kid, Wearing a bib." Pure gold.
If anyone has a connection to Eminem, maybe shoot him this link. I'm still available.
Rap
Lyrics by Noah Ruderman
Don’t have it all
Never needed it
Cause I can always quit
If I want
Maybe flaunt
Jaunt
Haunt
My mind
Behind
My heart
Below
Never slow, dough
Keeps rollin
Never holdin
Me down
Never round
Or wide
I’ll never hide
The way
The rule
Never caught being a fool
Because that’s the easy way
To die
Or cry
Never lie, cause my
high ain’t warranted
Like a fresh kid
Wearing a bib
On a chair
I stare, bare
In my lair
Don’t need that mess
I confess
Don’t clean up my mess
Cause when I’m done
Having fun, I’m gonna run
I'm gonna scream
Mean
Shouts of rage
Rip a page
Don’t need no wage
Or any boss
Never at a loss, or floss
So maybe I’ll crash
Or won’t last,
Maybe going too fast
Forgetting the past, cause it has
To repeat itself
Live a life of wealth
And choice
My voice is hoarse, never get a divorce
Cause I’ll stick, never stray
Never run away
And I’ll say
Hey, hey, hey
Monday, July 12, 2010
The Death of Lloyd Dobler

In April of 1989 I was a skinny four-eyed teenager who loved reruns of Charles in Charge, Steven Seagal action movies and Twizzlers cherry licorice laces. If someone asked me what I wanted to do when I grew up, I would have answered "talk to a girl." Almost twenty years ago, I was an innocent, slightly socially awkward fourteen year-old without a dream.
And then one day I watched the preview for the film, Say Anything. And for some reason, I felt compelled to see it. With no girl to ask out and no guy willing to see such a ‘girlie’ movie, I decided to do something I'd never done before and rarely done since. I went to the movie theater alone.
One hour and forty-two minutes later, I was still innocent. I was still slightly socially awkward. I was still fourteen. But I was no longer without a dream. That was the first day I wanted to be a writer. I wanted to write characters like Lloyd Dobbler who said things like “I want to get hurt!” (Which became my all-time favorite movie line in my all-time favorite movie.)
Hell, I wanted to be Lloyd Dobbler.
As I grew up and moved to Los Angeles to pursue writing, Cameron Crowe's story of love found, lost and found again was never too far from my mind. When I went out on dates with girls (yes, I did finally talk to them) and later had actual girlfriends, I was always trying to live up to the heart of Lloyd’s character. And for a while, that was a good thing.
But then something changed. It’s hard to pinpoint the exact moment or even if there was an exact moment, but all of a sudden everything I knew became everything I thought I knew. And everything I thought I knew amounted to a whole lot of nothing. And knowing a whole lot of nothing is a pretty darn good recipe for disappointment.
So what exactly happened? And who or what was to blame?
For a while I wasn’t sure. But then one night it hit me. It was MTV. More specifically, MTV’s “reality” show, The Hills.
As one of the few heterosexual fans of the show, I’ll admit to being entertained by the hollow, vain and narcissistic cast of conceited, swollen-headed and self-important douchebags and sorority girls. I’ll admit to getting sucked into the highfalutin, grandiose and farcical ‘drama” these characters became famous for. But while I was being entertained by the constant backstabbing, infighting, crossbreeding and maltreatment, I didn’t realize the true influence they were having.
Until I started dating.
While girls had once swooned for the sentimental, romantic and sweet gestures of a Lloyd Dobbler, they now were smitten by the dry, dispassionate and obnoxious gestures of a Justin Bobby. While girls had once held their breath anxiously hoping he would ask them out again that night and then call the next day or, even better, bright and early the next morning or, even better, five minutes after he kissed you goodnight and got in his car because he couldn’t wait any longer and he even had to pull over to the side of the road because he couldn’t concentrate on driving… they’re now turned off unless he disappears for a week and then calls late one night asking if they want him to stop by and when they say yes he doesn’t stop by but texts three days later saying he got caught up and maybe he’ll call again in a week or maybe he won’t but the whole time they are eating it up because he is mysterious, rebellious and exciting. And did I mention he drives a motorcycle?
Now before you get angry and upset because you are a girl who would be horrified and completely turned off by the behavior of the latter and instead have been desperately searching for someone like the former, let me be clear. You have now become the exception.
Somehow the ugly, vile egotism, shameless self-loving and contemptible behavior that permeates the spirit of a brainless show on MTV had managed to influence an entire population of girls, many of whom had probably never seen a single episode. It didn’t matter.
One of my close female friends recently met a guy she fell for. After attempting to text him about seeing him again and getting relatively blown off, she decided to call. His roommate answered and not only wouldn’t let her talk to him but actually PRETENDED TO BE HIM. It was as if she had fallen back into a world of infantile and immature high-school games. A world kind of like we see every week on The Hills.
My friend was smart. She immediately hung up and texted him back “Lose my number, you immature douchebag. I don’t have time for little boys and their games.” She then deleted his number.
But this got me thinking. What if this guy was just acting exactly as he is expected to act? What if he is not the advertised douchebag but instead a good person inside who only knew a world of disrespectful and childish game playing? What if he thought this is what she wanted? So I thought about these questions for a moment.
And then I got depressed.
So what is a guy like me to do when faced with this new reality? I could change. I could forget about Lloyd Dobbler. I could forget about that skinny four-eyed teenager walking out of the movie theater with a big smile on my face.
It wouldn’t be difficult or take much effort. I could suddenly become the contemptible, ill-mannered and coldhearted Justin Bobby many girls now crave. I could do that today and maybe everything would be easier.
Yes, I could do all those things. And yes, maybe everything would be easier. But I’m not going to.
I think I’m waiting for the girl who is the exception.
Monday, January 25, 2010
Live from Hollywood
A special thanks to my dating life. I couldn't have done it without you.
Monday, January 4, 2010
The Best Texts of 2009

One day when I'm old(er) with kids, my child is going to google my name (by then they'll be able to do it from the computer chip implanted in their brain), find this blog post and...
I'm going to have some explaining to do.
The following are all real texts, without edits, collected in the last twelve months from across the country. To protect the "innocent," no names and dates are listed.
My doctor this morning while my pants were down: "Have you been working out?"
She would cockblock me at my own wedding.
I just got booty texted by a girl I haven't spoken to in four years. It's as if she just sat back in her La-Z-Boy and asked "Hmm... What's the most random piece of ass I could have tonight?"
1. Walked by the office next to mine. 2. Saw new name on the door. 3. Looked her up on Facebook. 4. Had access to her profile because we are both on same network. 5. She has giant tits.
Odds that he's washed his sheets since the last bang? 6 to 5 against.
She then said "No condoms? Well... are you clean?"
"My response after seeing the picture of the girl he hooked up with last night: "Eeesh."
"Tell him to make sure to get her Facebook… It's the sketch trophy of 2009."
"Hooking up with that girl is like an inmate trying to talk himself into a jailhouse BJ."
And my personal favorite text of 2009...
Cockblocking is as offensive as genocide.
Thursday, October 8, 2009
The Best Texts of August AND September
The following are all real texts, without edits, collected in the last two months from across the country. To protect the "innocent," no names and dates are listed.Your last text suggested cockblocking and logistics issues, so I'm very glad it all cummed up roses.
Is spicy broccoli a good idea before a 2pm massage?
As he left the bar he gave the girl who rejected him the double middle finger and later hurled in the kitchen sink. Classy night all around.
Apparently she looked exactly like her picture on Facebook... in 1985!
He just sent me an email titled "Five dollar footlong." Before I opened it I knew it was a picture of a dump.
A hot Jewish girl just talked to me. Shocking.
A hot Jewish girl? That is shocking.
The only thing looser than my morals are my stools.
Did you enjoy your testicles last night?
I accidentally called a sex line last night. I was trying to call Toshiba because my computer is broken. I was one number off. Ooops.
And my personal favorite text of August and September...
Is it okay to tell a girl that you love her to get a BJ, but not sex?
Wednesday, September 16, 2009
Kato Kaelin introduces me on stage
Monday, September 7, 2009
companion
It's been a long road to get here, and it will surely be a long road to the finish line, but this is where it all begins.
I'm happy to announce the production of companion, a short film that I wrote and will be directing at the start of 2010.
Loosely adapted from the short story, companion is the story of Alaina, a housewife living with painful regrets from her past.
This is definitely a departure for me, as it's most certainly not a comedy and it's also the first script I've ever written with a female lead.
I'll be teaming up with an extremely talented group of filmmakers, who will hopefully be able to mask all my shortcomings. For those technical buffs/film nerds, we'll be shooting the film in HD on a Sony HDV-V1U.
Look out for the official Facebook page soon, where you'll be able to follow the production from casting through production and beyond.
Casting begins in late October/early November so if you are an actor/actress or have a friend who is one, stay tuned for the official notice to submit. (As with all my productions, the casting couch will be in full effect.)
As a writer, there are always stories you want to tell. And then there are ones you have to.
Consider this the latter.
companion teaser from Noah Ruderman on Vimeo.






















